Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably. The first part of the movie shows an alien artifact—a black monolith—that appears in the world of our ape ancestors, and starts the process that leads to modern civilization. The film's reviewers and academic critics, by contrast, have tended to understand the film as a pessimistic account of human nature and humanity's future. This was achieved by projecting the window action onto the models in a separate camera pass or, when two dimensional photographs were used, projecting from the backside through a hole cut in the photograph. The film has been released in several forms: In its first nine weeks from 22 locations, it grossed $2 million in the United States and Canada. Weston claimed Kubrick fled the studio for "two or three days. ... [W]hen they get finished with him, as happens in so many myths of all cultures in the world, he is transformed into some kind of super being and sent back to Earth, transformed and made some kind of superman. [33] Kubrick said the film is "basically a visual, nonverbal experience" that "hits the viewer at an inner level of consciousness, just as music does, or painting". For most shots the model was stationary and camera was driven along a track on a special mount, the motor of which was mechanically linked to the camera motor—making it possible to repeat camera moves and match speeds exactly. For he assumed (as I did, before I saw evidence to the contrary) that to make something that has a sophisticated feature like self-reproduction, the thing itself must somehow be correspondingly complicated. Leave him up there! Watch the full length movie of 2001: A Space Odyssey online or on the Fios Mobile app. Once one had phones and one had television, it was sort of inevitable that eventually one would have videophones. [44] Long periods without dialogue permeate the film: the film has no dialogue for roughly the first and last twenty minutes,[45] as well as for the 10 minutes from Floyd's Moonbus landing near the monolith until Poole watches a BBC newscast on Discovery. They’ve been talking about what’s now called AI for even longer. [111], The original 70-millimetre release, like many Super Panavision 70 films of the era such as Grand Prix, was advertised as being in "Cinerama" in cinemas equipped with special projection optics and a deeply curved screen. Initially all of Discovery's astronauts were to survive the journey; by 3 October, Clarke and Kubrick had decided to make Bowman the sole survivor and have him regress to infancy. Artificial intelligence is in a sense the first example of alien intelligence that we’re seeing (yes, there are animals too, but it’s easier to connect with AI). Similar detailed instructions for replacing the explosive bolts also appear on the hatches of the EVA pods, most visibly in closeup just before Bowman's pod leaves the ship to rescue Frank Poole. But it also means HAL’s behavior can’t ever be completely predicted. To find out what it does, there’s basically no choice but just to run it and watch what it does. And eventually they will exist. It seems well within range to be able to talk to HAL in natural language about all sorts of relevant things, and to have HAL use knowledge-based computation to control and figure out things about the spaceship (including, for example, stimulating components of it). A stewardess is shown preparing in-flight meals, then carrying them into a circular walkway. Back when I was 8 years old, in 1968, space was my greatest interest, and I made lots of little carefully stapled booklets, full of typewritten text and neatly drawn diagrams. There are also simpler and more mundane questions about the plot, in particular the causes of HAL's breakdown (explained in earlier drafts but kept mysterious in the film). It is the pattern of a great deal of mythology, and that is what we were trying to suggest. At the time it didn’t seem odd that in the movie there were lots of printed directions (how to use the "Picturephone," or the zero-gravity toilet, or the hibernation modules). The programs that are already set up happen to try to encompass a lot of the systematic knowledge about computation and about the world that our civilization has accumulated. He then added "It is important that important people understand what a computer is and what it can do." Als im Jahr 2001 ein Monolith auf dem Mond entdeckt wird, wird diese Entdeckung als der Beweis für außerirdisches Leben gedeutet. As I’ve argued extensively elsewhere, I think the great challenge of thinking about extraterrestrial intelligence is defining what we might mean by intelligence. [124], In 1996, Turner Entertainment/Rhino Records released a new soundtrack on CD that included the film's rendition of "Aventures", the version of "Zarathustra" used in the film, and the shorter version of Lux Aeterna from the film. The instructions are generally legible on Blu-ray editions but not DVD editions of the film. And as computer science developed, such things had hardened into tough nuts that basically computers just can’t do. And in a scene reminiscent of the modern idea that AIs, when given the directive to make more paperclips, might turn everything (including humans) into paperclips, the 2010 movie includes black monoliths turning the entire planet of Jupiter into a giant collection of black monoliths. And, yes, at the level of the underlying hardware maybe there will be restrictions based on the speed of light. Robert Kolker put the cumulative global gross of the film at $138 million as of 2006, Gilliatt, Penelope (5 April 1968). IBM—as now—was always working on advanced concepts that they could demo. But for purposes of the virtualized experience, there’ll be no such constraint. ), An interesting letter from 1966 surfaced recently. In other words, instead of relying on the structure of physical devices, one builds up capabilities using computation. In a similar vein, Tim Dirks ends his synopsis saying "[t]he cyclical evolution from ape to man to spaceman to angel-starchild-superman is complete. Watch: President Trump Delivers Farewell Address on Eve of Biden’s Inauguration. Summary: Ancestors: The Humankind Odyssey is a third-person open world survival game from independent studio Panache Digital Games and published by Private Division. For the shot of Poole floating into the pod's arms during Bowman's recovery of him, a stuntman on a wire portrayed the movements of an unconscious man and was shot in slow motion to enhance the illusion of drifting through space. So how did they do it? AI was still in the back of my mind, though, when for example I wanted to understand how brains might or might not relate to statistical physics and to things like the formation of complexity. Watch 2001: A Space Odyssey Online for free without any registration. "[45] Patrick Webster suggests the final line relates to how the film should be approached as a whole: "The line appends not merely to the discovery of the monolith on the Moon, but to our understanding of the film in the light of the ultimate questions it raises about the mystery of the universe."[189]. But it had been assumed to be impossible, and almost nobody had worked on it—until the success with Dolly. [92] The scene showing Bowman entering the emergency airlock from the EVA pod was done similarly: an off-camera stagehand, standing on a platform, held the wire suspending Dullea above the camera positioned at the bottom of the vertically oriented airlock. [85][88], For spacecraft interior shots, ostensibly containing a giant centrifuge that produces artificial gravity, Kubrick had a 30-short-ton (27 t) rotating "ferris wheel" built by Vickers-Armstrong Engineering Group at a cost of $750,000. The space shuttle is proudly branded Pan Am. The film, which follows a voyage to Jupiter with the sentient computer HAL after the discovery of an alien monolith affecting human evolution, deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life. But my guess is that once it’s finally figured out how to really do general-purpose robotics—like we can do general-purpose computation—things will advance very quickly. Guide Watch. [81], Kubrick was personally involved in the design of the monolith and its form for the film. But one of the points of the Wolfram Language is to be able to state the procedure in a form that directly fits in with human computational thinking. or. Kein anderes Genre prägt die heutige Wissenschaft und Technik so stark wie der Bereich Science-Fiction. There were oscilloscopes too, but they just had a single dot tracing out a line on the screen. hard science fiction writer James P. Hogan", Academy of Motion Picture Arts and Sciences, British Academy of Film and Television Arts, "Premios del CEC a la producción española de 1968", "Awards / History / 1968 – 21st Annual DGA Awards", National Board of Review of Motion Pictures, "In Lost Interview, Stanley Kubrick Explains The Ending of 2001: A Space odyssey", "Sometimes a Broken Glass Is Just a Broken Glass", "An Interview with Stanley Kubrick (1969)", "The Moving Arts Film Journal | TMA's 100 Greatest Films of All Time | web site", "Ridley Scott: 'After 2001 – A Space Odyssey, Science Fiction is Dead, "This Day in Science Fiction History — 2001: A Space Odyssey | Discover Magazine", "AFI's 100 Years ... 100 Heroes & Villains", "USCCB – (Film and Broadcasting) – Vatican Best Films List", "Starship Modeler: Modeling 2001 and 2010 Spacecraft", "2001: A Space Odyssey Immersive Art Exhibit", "Smithsonian celebrates 50th anniversary of '2001: A Space Odyssey, "Cannes Classics to celebrate the 50th anniversary of 2001: A Space Odyssey", "Cannes: Christopher Nolan To Present 70 mm Print Of Stanley Kubrick's '2001: A Space Odyssey, "The Making of '2001: A Space Odyssey' Was as Far Out as the Movie – A jumble of memorabilia, storyboards and props, an exhibit illustrates the whirl of influences behind Stanley Kubrick's groundbreaking 1968 film", "Hollywood: Legends and Explorers, Lot 897", America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, The Wonderful World of the Brothers Grimm, Intolerance: Love's Struggle Throughout the Ages, Hugo Award for Best Dramatic Presentation, The Lord of the Rings: The Fellowship of the Ring, Saturn Award for Best Classic Film DVD Release, https://en.wikipedia.org/w/index.php?title=2001:_A_Space_Odyssey_(film)&oldid=1005358645, Films based on science fiction short stories, Films with screenplays by Stanley Kubrick, Films that won the Best Visual Effects Academy Award, Hugo Award for Best Dramatic Presentation winning works, United States National Film Registry films, Films set in pre-colonial sub-Saharan Africa, Wikipedia articles needing page number citations from July 2020, Articles with unsourced statements from June 2020, Pages using Sister project links with wikidata mismatch, Pages using Sister project links with hidden wikidata, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Anthony Masters, Harry Lange and Ernest Archer, Edwina Carroll as lunar shuttle stewardess, Maggie d'Abo as stewardess (Space Station 5 elevator), Chela Matthison as Mrs. Turner, Space Station 5 reception, Judy Keirn as voiceprint identification woman (Space Station 5), 1980, MGM/CBS Home Video released the film on, This page was last edited on 7 February 2021, at 07:36.

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